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JAMES LOPARO

My work in fresco is a bridge to an early self. I have memories of secret marks in wet plaster, scaffolding and walls too high, rhythmic sounds from a hawk and a trowel, and of men working on surfaces to define flat and true. I have those memories, my father's tools, and the need to go beyond the surface.

As a medium, fresco speaks a language of matter and process that exceeds any preconceived message from the surface. I seek to use this language to visualize energy, to capture it, to personalize it, and to hold it suspended for examination.

My bas-relief frescoes explore man's passion for creation and destruction. By effacing the fresco's surface to reveal its anatomy, the duality of man is exposed in layered events. These events parallel natural energy forces that cause architectural changes in mass and create visual images of time.

In time man will also change. Perhaps we can evolve beyond the need to self-destruct and achieve our real possibilities. I can only contemplate this event and know that self-discovery and art are part of the process.

James LoParo


Essay:

James LoParo: History Of The Present Tense


Exhibitions:

1998 Olga Dollar Gallery - San Francisco, CA
"Abstraction Redefined" Group Exhibition
  
1997 Olga Dollar Gallery - San Francisco, CA
Solo Exhibition

Il Chirostro Arte Contemporanea - Saronno, Italy
Connecting "dall' Italia dall' America" Group Exhibition

Centro d'Arte Sotigiu - Biella, Italy
Connecting "dall' Italia dall' America" Group Exhibition

Lydon Fine Art - Chicago Il,
"Abstraction 97" Group Exhibition
  

1996 Lydon Fine Art - Chicago Il,
Group Exhibition
  
1995 Lydon Fine Art - Chicago Il,
2-Person Exhibition
  
1994 Boston College Museum of Art - Chestnut Hill, MA
"Fresco: A Contemporary Perspective" Group Exhibition
Curator: Stoney Conley
  
1993 Snug Harbor Cultural Center - Staten Island, NY
"Fresco: A Contemporary Perspective" Group Exhibition
Curators: Robert Bunkin, Leslie Anne Doyel and Sheila Rechschaffer

Parsons School of Design - NYC
Group exhibition in conjunction with Snug Harbor Cultural Center

14 Sculptors Gallery - NYC
Group Exhibition
Curator: Donald Kuspit
  

1992 Frank Bustamante Gallery - NYC
Solo Exhibition

The Fort Smith Art Center - Fort Smith, AR
Solo Exhibition

The Merillat Center for the Arts - Huntington, IN
Solo Exhibition

Lydon Fine Art - Chicago Il,
2-Person Exhibition

Frank Bustamante Gallery - NYC
Group Exhibition

Delaware Center for the Contemporary Arts - Wilmington, DE
"New Abstraction" Group Exhibition
Curator: Deborah Stelling

The Charles B. Goddard Center for the Arts - Ardmore, OK
"Contemporary Development of the Artifact" Group Exhibition
Curator: Mort Hamilton

The Art Foundation - Hot Springs, AR
Group Exhibition

Mid-America Museum - Hot Springs, AR
"Beyond Dimension" Group Sculpture Exhibition
Curator: Lorraine Benini

Contemporanea Fine Arts - Hot Springs, AR
Group Exhibition
  

1991 Mid-America Museum - Hot Springs, AR
"Beyond Dimension" Group Sculpture Exhibition
Curator: Lorraine Benini

The Art Foundation - Hot Springs, AR
Group Exhibition

Contemporanea Fine Arts - Hot Springs, AR
2-Person Exhibition
  

1990 Contemporanea Fine Arts - Hot Springs, AR
2-Person Exhibition
  
1989 Sogni d'Oro Studio - Cleveland, OH
Solo Exhibition
   

E-mail James LoParo C/O:

gallery@physikgarden.com

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The text and images featured in this article are © Copyright James LoParo 2000. They may not be copied or stored in any archive or retrieval system.

 
 
View "Doors to Mar-Hon" 1990